Blog About Cable Television

Dissent is growing within the media business over the rising cost of sports programming, even as the NFL is negotiating new agreements that are expected to boost broadcast networks’ fees by 60% to about $3.2 billion a year.

Such sharply rising costs—including in a recent deal already agreed between the National Football League and ESPN—are producing a vocal backlash from some media companies, which are afraid customers will drop services as prices escalate.

Sam Schechner on Lunch Break has latest developments from the UBS Global Media Conference, including the impact of rising sports fees and rising internet viewing. Plus, Nielsen makes a correction to its television ratings.

You perhaps use items containing an LCD (liquid crystal display) every day. They are all around us — in laptop computers, digital clocks and watches, microwave ovens, CD players and many other electronic devices. LCDs are common because they offer some real advantages over other display technologies. They are thinner and lighter and draw much less power than cathode ray tubes (CRTs), for example.
But just what are these things called liquid crystals? The name “liquid crystal” sounds like a contradiction. We think of a crystal as a solid material like quartz, usually as hard as rock, and a liquid is obviously different. How could any material combine the two?
We learned in school that there are three common states of matter: solid, liquid or gaseous. Solids act the way they do because their molecules always maintain their orientation and stay in the same position with respect to one another. The molecules in liquids are just the opposite: They can change their orientation and move anywhere in the liquid. But there are some substances that can exist in an odd state that is sort of like a liquid and sort of like a solid. When they are in this state, their molecules tend to maintain their orientation, like the molecules in a solid, but also move around to different positions, like the molecules in a liquid. This means that liquid crystals are neither a solid nor a liquid. That’s how they ended up with their seemingly contradictory name.
So, do liquid crystals act like solids or liquids or something else? It turns out that liquid crystals are closer to a liquid state than a solid. It takes a fair amount of heat to change a suitable substance from a solid into a liquid crystal, and it only takes a little more heat to turn that same liquid crystal into a real liquid. This explains why liquid crystals are very sensitive to temperature and why they are used to make thermometers and mood rings. It also explains why a laptop computer display may act funny in cold weather or during a hot day at the beach.

the vast majority of televisions have been built around the same technology: the cathode ray tube (CRT). In a CRT television, a gun fires a beam of electrons (negatively-charged particles) inside a large glass tube. The electrons excite phosphor atoms along the wide end of the tube (the screen), which causes the phosphor atoms to light up. The television image is produced by lighting up different areas of the phosphor coating with different colors at different intensities (see How Televisions Work for a detailed explanation).
Cathode ray tubes produce crisp, vibrant images, but they do have a serious drawback: They are bulky. In order to increase the screen width in a CRT set, you also have to increase the length of the tube (to give the scanning electron gun room to reach all parts of the screen). Consequently, any big-screen CRT television is going to weigh a ton and take up a sizable chunk of a room.
A new alternative has popped up on store shelves: the plasma flat panel display. These televisions have wide screens, comparable to the largest CRT sets, but they are only about 6 inches (15 cm) thick. In this article, we’ll see how these sets do so much in such a small space.
If you’ve read How Television Works, then you understand the basic idea of a standard television or monitor. Based on the information in a video signal, the television lights up thousands of tiny dots (called pixels) with a high-energy beam of electrons. In most systems, there are three pixel colors — red, green and blue — which are evenly distributed on the screen. By combining these colors in different proportions, the television can produce the entire color spectrum.
The basic idea of a plasma display is to illuminate tiny, colored fluorescent lights to form an image. Each pixel is made up of three fluorescent lights — a red light, a green light and a blue light. Just like a CRT television, the plasma display varies the intensities of the different lights to produce a full range of colors.

In the 1950s, there were four television networks in the United States. Because of the frequencies allotted to television, the signals could only be received in a “line of sight” from the transmitting antenna. People living in remote areas, especially remote mountainous areas, couldn’t see the programs that were already becoming an important part of U.S. culture.
In 1948, people living in remote valleys in Pennsylvania solved their reception problems by putting antennas on hills and running cables to their houses. These days, the same technology once used by remote hamlets and select cities allows viewers all over the country to access a wide variety of programs and channels that meet their individual needs and desires. By the early 1990s, cable television had reached nearly half the homes in the United States.
Today, U.S. cable systems deliver hundreds of channels to some 60 million homes, while also providing a growing number of people with high-speed Internet access. Some cable systems even let you make telephone calls and receive new programming technologies! In this article, we’ll show you how cable television brings you so much information and such a wide range of programs, from educational to inspirational to just plain odd.
The earliest cable systems were, in effect, strategically placed antennas with very long cables connecting them to subscribers’ television sets. Because the signal from the antenna became weaker as it traveled through the length of cable, cable providers had to insert amplifiers at regular intervals to boost the strength of the signal and make it acceptable for viewing. According to Bill Wall, technical director for subscriber networks at Scientific-Atlanta, a leading maker of equipment for cable television systems, limitations in these amplifiers were a significant issue for cable system designers in the next three decades.
“In a cable system, the signal might have gone through 30 or 40 amplifiers before reaching your house, one every 1,000 feet or so,” Wall says. “With each amplifier, you would get noise and distortion. Plus, if one of the amplifiers failed, you lost the picture. Cable got a reputation for not having the best quality picture and for not being reliable.” In the late 1970s, cable television would find a solution to the amplifier problem. By then, they had also developed technology that allowed them to add more programming to cable service.

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